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Hindu deities are the gods and goddesses in . Deities in Hinduism are as diverse as its traditions, and a Hindu can choose to be , , , , even , , or .Julius J. Lipner (2009), Hindus: Their Religious Beliefs and Practices, 2nd edition, Routledge, , p. 8; Quote: "(...) one need not be religious in the minimal sense described to be accepted as a Hindu by Hindus, or describe oneself perfectly validly as Hindu. One may be polytheistic or monotheistic, monistic or pantheistic, even an agnostic, humanist or atheist, and still be considered a Hindu."Lester Kurtz (ed.), Encyclopedia of Violence, Peace and Conflict, , Academic Press, 2008M. K. Gandhi, The Essence of Hindu, Editor: V. B. Kher, Navajivan Publishing, see p. 3; According to Gandhi, "a man may not believe in God and still call himself a Hindu." The terms and epithets for deities within the diverse traditions of Hinduism vary, and include Deva, , , , and .Radhakrishnan and Moore (1967, Reprinted 1989), A Source Book in Indian Philosophy, Princeton University Press, , pp. 37-39, 401-403, 498-503

The deities of Hinduism have evolved from the (2nd millennium BCE) through the medieval era (1st millennium CE), regionally within , , and in , and across Hinduism's diverse traditions.Nicholas Gier (2000), Spiritual Titanism: Indian, Chinese, and Western Perspectives, State University of New York Press, , pp. 59-76Jeaneane D. Fowler (2012), The Bhagavad Gita, Sussex Academic Press, , pp. 253-262 The Hindu deity concept varies from a personal god as in school of , Mike Burley (2012), Classical Samkhya and Yoga - An Indian Metaphysics of Experience, Routledge, , pp. 39-41;
Lloyd Pflueger, Person Purity and Power in Yogasutra, in Theory and Practice of Yoga (Editor: Knut Jacobsen), Motilal Banarsidass, , pp. 38-39;
Kovoor T. Behanan (2002), Yoga: Its Scientific Basis, Dover, , pp. 56-58
to thirty-three major deities in the ,

(2025). 9781567204391, Greenwood Publishing Group. .
to hundreds of deities mentioned in the of Hinduism.Sanjukta Gupta (2013), Lakṣmī Tantra: A Pāñcarātra Text, Motilal Banarsidass, , p. 166 Examples of contemporary major deities include , and . These deities have distinct and complex personalities, yet are often viewed as aspects of the same Ultimate Reality called . (2008), Theory and Practice of Yoga : 'Essays in Honour of Gerald James Larson, Motilal Banarsidass, , pp. 77-78 From ancient times, the idea of equivalence has been cherished for all Hindus, in its texts and in early 1st-millennium sculpture with concepts such as (Half Vishnu, Half Shiva)David Leeming (2001), A Dictionary of Asian Mythology, Oxford University Press, , p. 67 and (half Shiva, half Parvati),Ellen Goldberg (2002), The Lord who is half woman: Ardhanārīśvara in Indian and feminist perspective, State University of New York Press, , pp. 1–4 with myths and temples that feature them together, declaring they are the same.TA Gopinatha Rao (1993), Elements of Hindu Iconography, Vol. 2, Motilal Banarsidass, , pp. 334-335Fred Kleiner (2012), Gardner's Art through the Ages: A Global History, Cengage, , pp. 443-444Cynthia Packert Atherton (1997), The Sculpture of Early Medieval Rajasthan, Brill, , pp. 42-46 Major deities have inspired their own Hindu traditions, such as , and , but with shared , ritual grammar, theosophy, and polycentrism.Lance Nelson (2007), An Introductory Dictionary of Theology and Religious Studies (Editors: Orlando O. Espín, James B. Nickoloff), Liturgical Press, , pp. 562-563Julius J. Lipner (2009), Hindus: Their Religious Beliefs and Practices, 2nd Edition, Routledge, , pp. 371-375
(2025). 9780826499660, Continuum. .
Some Hindu traditions, such as from the mid 1st millennium CE, have included multiple major deities as manifestations of Brahman, and as a means to realizing Brahman.Michael Myers (2000), Brahman: A Comparative Theology, Routledge, , pp. 124-127 In philosophy, or deities are considered as "natural sources of energy" who have as the dominant Guna.

Hindu deities are represented with various icons and anicons in sculptures and paintings, called and Pratimas.Klaus Klostermaier (2010), A Survey of Hinduism, State University of New York Press, , pp. 264-267PK Acharya, An Encyclopedia of Hindu Architecture, Oxford University Press, p. 426 Some Hindu traditions, such as ancient , rejected all deities and concept of god or goddess,V. V. Raman (2012), Hinduism and Science: Some Reflections, Zygon - Journal of Religion and Science, 47(3): 549–574, Quote (p. 557): "Aside from nontheistic schools like the Samkhya, there have also been explicitly atheistic schools in the Hindu tradition. One virulently anti-supernatural system is/was the so-called Charvaka school."John Clayton (2010), Religions, Reasons and Gods: Essays in Cross-cultural Philosophy of Religion, Cambridge University Press, , p. 150A Goel (1984), Indian philosophy: Nyāya-Vaiśeṣika and modern science, Sterling, , pages 149-151;
R. Collins (2000), The Sociology of Philosophies, Harvard University Press, , p. 836
while 19th-century British colonial era movements such as the and rejected deities and adopted monotheistic concepts similar to Abrahamic religions.

(1982). 9788120807693, Motilal Banarsidass.
Glyn Richards (1990), The World's Religions: The Religions of Asia (Editor: Friedhelm Hardy), Routledge, , pp. 173-176 Hindu deities have been adopted in other religions such as ,John E. Cort (1998), Open Boundaries: Jain Communities and Cultures in Indian History, State University of New York Press, , pp. 218-220 and in regions outside India, such as predominantly Buddhist and , where they continue to be revered in regional temples or arts.Ellen London (2008), Thailand Condensed: 2,000 Years of History & Culture, Marshall Cavendish, , p. 74Trudy Ring et al. (1996), International Dictionary of Historic Places: Asia and Oceania, Routledge, , p. 692

In ancient and medieval era texts of Hinduism, the human body is described as a temple,Jean Holm and John Bowker (1998), Sacred Place, Bloomsbury Academic, , pp. 76-78Michael Coogan (2003), The Illustrated Guide to World Religions, Oxford University Press, , p. 149 and deities are described to be parts residing within it,Alain Daniélou (2001), The Hindu Temple: Deification of Eroticism, , pp. 82-83 (1992), The Samnyasa Upanisads, Oxford University Press, , pp. 147-148 with footnotes 2 and 5 while the (Absolute Reality, God)For dualism school of Hinduism, see: Francis X. Clooney (2010), Hindu God, Christian God: How Reason Helps Break Down the Boundaries between Religions, Oxford University Press, , pp. 51-58, 111-115;
For monist school of Hinduism, see: B. Martinez-Bedard (2006), Types of Causes in Aristotle and Sankara, Thesis - Department of Religious Studies (Advisors: Kathryn McClymond and Sandra Dwyer), Georgia State University, pp. 18-35

(2025). 9780884897255, Saint Mary's Press.
is described to be the same, or of similar nature, as the Atman (Self), which Hindus believe is eternal and within every living being.R Prasad (2009), A Historical-developmental Study of Classical Indian Philosophy of Morals, Concept Publishing, , pp. 345-347


Devas and devis
Deities in Hinduism are referred to as Deva (masculine) and (feminine).Monier Monier-Williams, A Sanskrit-English Dictionary" Etymologically and Philologically Arranged to cognate Indo-European Languages, Motilal Banarsidass, p. 496John Stratton Hawley and Donna Marie Wulff (1998), Devi: Goddesses of India, Motilal Banarsidass, , p. 2William K Mahony (1997), The Artful Universe: An Introduction to the Vedic Religious Imagination, State University of New York Press, , p. 18 The root of these terms means "heavenly, divine, anything of excellence".Monier Monier-Williams, A Sanskrit-English Dictionary" Etymologically and Philologically Arranged to cognate Indo-European Languages, Motilal Banarsidass, p. 492

In the earliest Vedic literature, all supernatural beings are called Asuras.Wash Edward Hale (1999), Ásura in Early Vedic Religion, Motilal Barnarsidass, , pp. 5-11, 22, 99-102Monier Monier-Williams, A Sanskrit-English Dictionary" Etymologically and Philologically Arranged to cognate Indo-European Languages, Motilal Banarsidass, p. 121 By the late Vedic period (c. 500 BCE), benevolent supernatural beings are referred to as Deva-Asuras. In post-Vedic texts, such as the and the of Hinduism, the Devas represent the good, and the Asuras the bad. In some medieval Indian literature, Devas are also referred to as Suras and contrasted with their equally powerful, but malevolent counterparts referred to as the Asuras. Encyclopædia Britannica

Hindu deities are part of , both Devas and Devis feature in one of many cosmological theories in Hinduism.Don Handelman (2013), One God, Two Goddesses, Three Studies of South Indian Cosmology, Brill Academic, , pp. 23-29Wendy Doniger (1988), Textual Sources for the Study of Hinduism, Manchester University Press, , p. 67


Characteristics of Vedic-era deities
In Vedic literature, Devas and Devis represent the forces of nature and some represent moral values (such as the Adityas, , and Mitra), each symbolizing the epitome of specialized knowledge, creative energy, exalted and magical powers ( ).George Williams (2008), A Handbook of Hindu Mythology, Oxford University Press, , pp. 24-33Bina Gupta (2011), An Introduction to Indian Philosophy, Routledge, , pp. 21-25

The most referred to Devas in the are , (fire) and Soma, with "fire deity" called the friend of all humanity. Indra and Soma are two celebrated in a fire ritual that marks major Hindu ceremonies. , , (later given the exclusive epithet of ), and (later ) are gods and hence Devas.Hajime Nakamura (1998), A Comparative History of Ideas, Motilal Banarsidass, , pp. 26-33

The describes a number of significant Devis such as (dawn), (earth), (cosmic moral order), (river, knowledge), Vāc (sound), Nirṛti (destruction), (night), (forest), and bounty goddesses such as Dinsana, Raka, Puramdhi, Parendi, Bharati, Mahi, among others, mentioned in the .David Kinsley (2005), Hindu Goddesses: Vision of the Divine Feminine in the Hindu Religious Traditions, University of California Press, , pp. 6-17, 55-64 Sri, also called Lakshmi, appears in late Vedic texts dated to be pre-Buddhist, but verses dedicated to her do not suggest that her characteristics were fully developed in the Vedic era.David Kinsley (2005), Hindu Goddesses: Vision of the Divine Feminine in the Hindu Religious Traditions, University of California Press, , pp. 18, 19 All gods and goddesses are distinguished in the Vedic times, but in the post-Vedic texts (c. 500 BCE to 200 CE), and particularly in the early medieval era literature, they are ultimately seen as aspects or manifestations of one , the Supreme power.Christopher John Fuller (2004), The Camphor Flame: Popular Hinduism and Society in India, Princeton University Press, , p. 41

Ananda Coomaraswamy states that Devas and Asuras in the Vedic lore are similar to and Titans of Greek mythology, both are powerful but have different orientations and inclinations, the Devas representing the powers of Light and the Asuras representing the powers of Darkness in Hindu mythology.Wash Edward Hale (1999), Ásura in Early Vedic Religion, Motilal Barnarsidass, , p. 20 According to Coomaraswamy's interpretation of Devas and Asuras, both these natures exist in each human being, the tyrant and the angel is within each being, the best and the worst within each person struggles before choices and one's nature, and the Hindu formulation of Devas and Asuras is an eternal dance between these within each person.Ananda Coomaraswamy (1935), "Angel and Titan: An Essay in Vedic Ontology", Journal of the American Oriental Society, volume 55, pp. 373–418Nicholas Gier (1995), Hindu Titanism, Philosophy East and West, Volume 45, Number 1, p. 76, see also 73-96


Characteristics of medieval-era deities
In the and the with the embedded Bhagavad Gita, the Devas represent the good, and the Asuras the bad. According to the (16.6–16.7), all beings in the universe have both the divine qualities ( daivi sampad) and the demonic qualities ( asuri sampad) within them. The sixteenth chapter of the Bhagavad Gita states that pure god-like saints are rare, as are pure demon-like evil individuals among human beings. Instead, the majority of humanity is multi-charactered with a few or many faults. According to Jeaneane Fowler, the Gita states that desires, aversions, greed, needs, emotions in various forms "are facets of ordinary lives". It is only when they turn to lust, hate, cravings, arrogance, conceit, anger, harshness, hypocrisy, violence, cruelty and such negativity- and destruction-inclined tendencies that natural human inclinations metamorphose into something demonic (Asura).Christopher K Chapple (2010), The Bhagavad Gita: Twenty-fifth–Anniversary Edition, State University of New York Press, , pp. 610-629

The Epics and medieval era texts, particularly the , developed extensive and richly varying mythologies associated with Hindu deities, including their genealogies.Greg Bailey (2001), Encyclopedia of Asian Philosophy (Editor: Oliver Leaman), Routledge, , pp. 437-439Gregory Bailey (2003), The Study of Hinduism (Editor: Arvind Sharma), The University of South Carolina Press, , p. 139 Several of the Purana texts are named after major Hindu deities such as Vishnu, Shiva and Devi.Ludo Rocher (1986), The Puranas, Otto Harrassowitz Verlag, , pp. 1-5, 12-21 Other texts and commentators such as explain that Hindu deities live or rule over the cosmic body as well as in the temple of the human body. They remark that the Sun deity is the eyes, the the nose, the the sexual organs, the the ears, the mind, Mitra the inward breath, the outward breath, the arms, Bṛhaspati the speech, Vishnu, whose stride is great, is the feet, and Māyā is the smile.Alain Daniélou (1991), The Myths and Gods of India, Princeton/Bollingen Paperbacks, , pp. 57-60


Symbolism
Edelmann states that gods and anti-gods of Hinduism are symbolism for spiritual concepts. For example, god Indra (a Deva) and the antigod Virocana (an Asura) question a sage for insights into the knowledge of the self. Virocana leaves with the first given answer, believing now he can use the knowledge as a weapon. In contrast, Indra keeps pressing the sage, churning the ideas, and learning about means to inner happiness and power. Edelmann suggests that the Deva-Asura dichotomies in Hindu mythology may be seen as "narrative depictions of tendencies within our selves".Jonathan Edelmann (2013), Hindu Theology as Churning the Latent, Journal of the American Academy of Religion, Volume 81, Issue 2, pp. 439-441 Hindu deities in Vedic era, states Mahoney, are those artists with "powerfully inward transformative, effective and creative mental powers".William K Mahony (1997), The Artful Universe: An Introduction to the Vedic Religious Imagination, State University of New York Press, , pp. 17, 27, 32

In Hindu mythology, everyone starts as an Asura, born of the same father. "Asuras who remain Asura" share the character of powerful beings craving for more power, more wealth, ego, anger, unprincipled nature, force and violence. The "Asuras who become Devas" in contrast are driven by an inner voice, seek understanding and meaning, prefer moderation, principled behavior, aligned with Ṛta and , knowledge and harmony.Nicholas Gier (1995), Hindu Titanism, Philosophy East and West, Volume 45, Number 1, pp. 76-80Stella Kramrisch and Raymond Burnier (1986), The Hindu Temple, Volume 1, Motilal Banarsidass, , pp. 75-78William K Mahony (1997), The Artful Universe: An Introduction to the Vedic Religious Imagination, State University of New York Press, , pp. 50, 72-73

The god (Deva) and antigod (Asura), states Edelmann, are also symbolically the contradictory forces that motivate each individual and people, and thus Deva-Asura dichotomy is a spiritual concept rather than mere genealogical category or species of being. In the Bhāgavata Purana, saints and gods are born in families of Asuras, such as and , conveying the symbolism that motivations, beliefs and actions rather than one's birth and family circumstances define whether one is Deva-like or Asura-like.Jonathan Edelmann (2013), Hindu Theology as Churning the Latent, Journal of the American Academy of Religion, Volume 81, Issue 2, pp. 440-442


Ishvara
Another Hindu term that is sometimes translated as the deity is , or various deities are described, state Sorajjakool et al., as "the personifications of various aspects of the same Ishvara".Siroj Sorajjakool, Mark Carr and Julius Nam (2009), World Religions, Routledge, , p. 38 The term Ishvara has a wide range of meanings that depend on the era and the school of Hinduism.Monier Williams, Sanskrit-English dictionary, Izvara, Sanskrit Digital Lexicon, University of Cologne, GermanyJames Lochtefeld, "Ishvara", The Illustrated Encyclopedia of Hinduism, Vol. 1: A–M, Rosen Publishing. , p. 306Dale Riepe (1961, Reprinted 1996), Naturalistic Tradition in Indian Thought, Motilal Banarsidass, , pp. 177-184, 208-215 In ancient texts of Indian philosophy, Ishvara means supreme Self, (Highest Reality), ruler, king or husband depending on the context. In medieval era texts, Ishvara means God, Supreme Being, personal god, or special Self depending on the school of Hinduism.Mircea Eliade (2009), Yoga: Immortality and Freedom, Princeton University Press, , pp. 73-76Ian Whicher, The Integrity of the Yoga Darsana, State University of New York Press, , pp. 82-86

Among the six systems of , and do not consider the concept of Ishvara, i.e., a supreme being, relevant. Yoga, , , and schools of Hinduism discuss Ishvara but assign different meanings.

Early Nyaya school scholars considered the hypothesis of a deity as a creator God with the power to grant blessings, boons, and fruits; but these early Nyaya scholars then rejected this hypothesis, and were non-theistic or atheists.G Oberhammer (1965), Zum problem des Gottesbeweises in der indischen Philosophie, Numen, 12: 1-34 Later scholars of Nyaya school reconsidered this question and offered counter arguments for what is Ishvara and various arguments to prove the existence of an omniscient, omnipresent, omnipotent deity (God).Francis X. Clooney (2010), Hindu God, Christian God: How Reason Helps Break Down the Boundaries, Oxford University Press, , pp. 18-19, 35-39

Vaisheshika school of Hinduism, as founded by Kanada in the 1st millennium BCE, neither required nor relied on a creator deity.Klaus Klostermaier (2007), A Survey of Hinduism, Third Edition, State University of New York, , p. 337 Later Vaisheshika school adopted the concept of Ishvara, states Klaus Klostermaier, but as an eternal God who co-exists in the universe with eternal substances and atoms, but He "winds up the clock, and lets it run its course".

Ancient Mimamsa scholars of Hinduism questioned what is Ishvara (deity, God)?FX Clooney (1997), What's a god? The quest for the right understanding of devatā in Brāhmaṅical ritual theory (Mīmāṃsā), International Journal of Hindu Studies, August 1997, Volume 1, Issue 2, pp. 337-385 They considered a deity concept unnecessary for a consistent philosophy and (soteriology).P. Bilimoria (2001), Hindu doubts about God: Towards Mimamsa Deconstruction, in Philosophy of Religion: Indian Philosophy (Editor: Roy Perrett), Volume 4, Routledge, , pp. 87-106

In the Samkhya school of Hindu philosophy, Isvara is neither a creator-God nor a savior-God.A Malinar (2014), Current Approaches: Articles on Key Themes, in The Bloomsbury Companion to Hindu Studies (Editor: Jessica Frazier), Bloomsbury Academic, , p. 79 This is called one of the several major atheistic schools of Hinduism by some scholars.Mike Burley (2012), Classical Samkhya and Yoga - An Indian Metaphysics of Experience, Routledge, , p. 39Richard Garbe (2013), Die Samkhya-Philosophie, Indische Philosophie Volume 11, , pp. 25-27 (in German) Others, such as , state that Samkhya is more accurately described as non-theistic.Knut Jacobsen (2008), Theory and Practice of Yoga: 'Essays in Honour of Gerald James Larson, Motilal Banarsidass, , pp. 15-16 Deity is considered an irrelevant concept, neither defined nor denied, in Samkhya school of Hindu philosophy.

In the Yoga school of Hinduism, it is any "personal deity" (Ishta Deva or Ishta Devata)Orlando Espín and James Nickoloff (2007), An Introductory Dictionary of Theology and Religious Studies, Liturgical Press, , p. 651 or "spiritual inspiration", but not a creator God.Lloyd Pflueger, Person Purity and Power in Yogasutra, in Theory, and Practice of Yoga (Editor: Knut Jacobsen), Motilal Banarsidass, , pp. 38-39 Whicher explains that while Patanjali's terse verses in the Yogasutras can be interpreted both as theistic or non-theistic, Patanjali's concept of Isvara in Yoga philosophy functions as a "transformative catalyst or guide for aiding the yogin on the path to spiritual emancipation".Ian Whicher (1999), The Integrity of the Yoga Darsana: A Reconsideration of Classical Yoga, State University of New York Press, , p. 86

The school of Hinduism asserted that there is no dualistic existence of a deity (or deities).JN Mohanty (2001), Explorations in Philosophy, Vol 1 (Editor: Bina Gupta), Oxford University Press, pp. 107-108 There is no otherness nor distinction between Jiva and Ishvara.Paul Hacker (1978), Eigentumlichkeiten dr Lehre und Terminologie Sankara: Avidya, Namarupa, Maya, Isvara, in Kleine Schriften (Editor: L. Schmithausen), Franz Steiner Verlag, Weisbaden, pp. 101-109 (in German), also pp. 69-99William Indich (2000), Consciousness in Advaita Vedanta, Motilal Banarsidass, , p. 5 God (Ishvara, Brahman) is identical with the Atman (Self) within each human being in Advaita Vedanta school,William James (1985), The Varieties of Religious Experience, Harvard University Press, , p. 404 with footnote 28 and there is a Universal Absolute Oneness that connects everyone and everything.John Koller (2012), Routledge Companion to Philosophy of Religion (Editors: Chad Meister, Paul Copan), Routledge, , pp. 99-107Lance Nelson (1996), Living liberation in Shankara and classical Advaita, in Living Liberation in Hindu Thought (Editors: Andrew O. Fort, Patricia Y. Mumme), State University of New York Press, , pp. 38-39, 59 (footnote 105)

In sub-school of Vedanta Hinduism, Ishvara is defined as a creator God that is distinct from Jiva (individual Selfs in living beings). In this school, God creates individual Self (Atman), but the individual Self never was and never will become one with God; the best it can do is to experience bliss by getting infinitely close to God.Thomas Padiyath (2014), The Metaphysics of Becoming, De Gruyter, , pp. 155-157


Number of deities
Yāska, the earliest known language scholar of India (c. 500 BCE), mentions that there are three deities ( Devas) according to the Vedas, " Agni (fire), whose place is on the earth; Vayu (wind), whose place is the air; and Surya (sun), whose place is in the sky".WJ Wilkins (2003), Hindu Gods and Goddesses, Dover, , pp. 9-10 This principle of three worlds (or zones), and its multiples is found thereafter in many ancient texts. The , which are the oldest layer of text in enumerate 33 devas, either 11 each for the three worlds, or as 12 , 11 , 8 and 2 in the layer of Vedic texts.George Williams (2008), A Handbook of Hindu Mythology, Oxford University Press, , pp. 90, 112

The Rigveda states in hymn 1.139.11,


One or one-ness
Thirty-three koti (33 supreme) divinities are mentioned in other ancient texts, such as the . Most by far, are goddesses state Foulston and Abbott, suggesting "how important and popular goddesses are" in Hindu culture.
(2025). 9781902210438, Sussex Academic Press. .
Scholars state all deities are typically viewed in Hinduism as "emanations or manifestation of genderless principle called , representing the many facets of Ultimate Reality". In Hinduism, the concept is that "God, the universe, human beings and all else is essentially one thing" and there is a connected oneness where the same God resides within every human being as Atman, the eternal Self.Jeffrey Brodd (2003), World Religions: A Voyage of Discovery, Saint Mary's Press, , p. 43Christopher John Fuller (2004), The Camphor Flame: Popular Hinduism and Society in India, Princeton University Press, , pp. 30-31, Quote: "Crucial in Hindu polytheism is the relationship between the deities and humanity. Unlike Jewish, Christian and Islamic monotheism, predicated on the otherness of God and either his total separation from man and his singular incarnation, Hinduism postulates no absolute distinction between deities and human beings. The idea that all deities are truly one is, moreover, easily extended to proclaim that all human beings are in reality also forms of one supreme deity - Brahman, the Absolute of philosophical Hinduism. In practice, this abstract monist doctrine rarely belongs to an ordinary Hindu's statements, but examples of permeability between the divine and human can be easily found in popular Hinduism in many unremarkable contexts".


Iconography and practices
Hinduism has an ancient and extensive iconography tradition, particularly in the form of Murti (: मूर्ति, IAST: Mūrti), or Vigraha or Pratima. A Murti is itself not the god in Hinduism, but it is an image of god and represents emotional and religious value.Jeaneane D Fowler (1996), Hinduism: Beliefs and Practices, Sussex Academic Press, , pp. 41-45 A literal translation of Murti as an idol is incorrect, states Jeaneane Fowler when the idol is understood as superstitious end in itself. Just like the photograph of a person is not the real person, a Murti is an image in Hinduism but not the real thing, but in both cases, the image reminds of something of emotional and real value to the viewer. When a person worships a Murti, it is assumed to be a manifestation of the essence or spirit of the deity, the worshipper's spiritual ideas and needs are meditated through it, yet the idea of ultimate reality or is not confined in it.

A Murti of a Hindu deity is typically made by carving stone, woodworking, metal casting, or through pottery. Medieval era texts describing their proper proportions, positions and gestures include the , Agamas and particularly the . The expressions in a Murti vary in diverse Hindu traditions, ranging from Ugra symbolism to express destruction, fear and violence (, , ), as well as Saumya symbolism to express joy, knowledge, and harmony (Parvati, Saraswati, Lakshmi). Saumya images are most common in .Gopinath Rao, Elements of Hindu Iconography Madras, Cornell University Archives, pp. 17-39 Other Murti forms found in Hinduism include the .Stella Kramrisch (1994), The Presence of Siva, Princeton University Press, , pp. 179-187

A Murti is an embodiment of the divine, the Ultimate Reality or to some Hindus. In the religious context, they are found in Hindu temples or homes, where they may be treated as a beloved guest and serve as a participant of Puja rituals in Hinduism.Michael Willis (2009), The Archaeology of Hindu Ritual, Cambridge University Press, , pp. 96-112, 123-143, 168-172 A murti is installed by priests, in Hindu temples, through the ceremony,Heather Elgood (2000), Hinduism and the Religious Arts, Bloomsbury Academic, , pp. 14-15, 32-36 whereby state Harold Coward and David Goa, the "divine vital energy of the cosmos is infused into the sculpture" and then the divine is welcomed as one would welcome a friend.Harold Coward and David Goa (2008), Mantra: 'Hearing the Divine In India and America, Motilal Banarsidass, , pp. 25-30 In other occasions, it serves as the center of attention in annual festive processions and these are called Utsava Murti.James Lochtefeld (2002), The Illustrated Encyclopedia of Hinduism: A-M, The Rosen Publishing Group, , p. 726


Temple and worship
In Hinduism, deities and their icons may be hosted in a Hindu temple, within a home, or as an amulet. The worship performed by Hindus is known by several regional names, such as Puja. This practice in front of a may be elaborate in large temples, or be a simple song or mantra muttered in home, or offering made to sunrise or river or symbolic an icon of a deity.
(2025). 9780631215356, Wiley-Blackwell.
Paul Courtright (1985), in Gods of Flesh/Gods of Stone (Joanne Punzo Waghorne, Norman Cutler, and Vasudha Narayanan, eds), , Columbia University Press, see Chapter 2
(2025). 9780028659800, Thomson Gale.
Archaeological evidence of deity worship in Hindu temples trace Puja rituals to era (c. 4th century CE). In Hindu temples, various pujas may be performed daily at various times of the day; in other temples, it may be occasional. Puja, Encyclopædia Britannica (2011)Hiro G. Badlani (2008), Hinduism: A path of ancient wisdom, , pp. 315-318

The Puja practice is structured as an act of welcoming, hosting, and honoring the deity of one's choice as one's honored guest,Paul Thieme (1984), "Indische Wörter und Sitten", in Kleine Schriften, Vol. 2, pp. 343–370 and remembering the spiritual and emotional significance the deity represents to the devotee.James Lochtefeld (2002), Puja in The Illustrated Encyclopedia of Hinduism, Volume 2, Rosen Publishing, , pp. 529–530 , as well as Diana L. Eck, states that a typical Puja involves one or more of 16 steps ( Shodasha Upachara) traceable to ancient times: the deity is invited as a guest, the devotee hosts and takes care of the deity as an honored guest, praise (hymns) with or along with food () is offered to the deity, after an expression of love and respect the host takes leave, and with affection expresses goodbye to the deity.Diana L. Eck (2008), Darśan: Seeing the Divine Image in India, Motilal Banarsidass, , pp. 47-49 The worship practice may also involve reflecting on spiritual questions, with image serving as support for such meditation.Diana L. Eck (2008), Darśan: Seeing the Divine Image in India, Motilal Banarsidass, , pp. 45-46

Deity worship ( ), visiting temples, and Puja rites are not mandatory and are optional in Hinduism; it is the choice of a Hindu, it may be a routine daily affair for some Hindus, periodic ritual or infrequent for some.Jonathan Lee and Kathleen Nadeau (2010), Encyclopedia of Asian American Folklore and Folklife, Volume 1, ABC, , pp. 480-481Jean Holm and John Bowker (1998), Worship, Bloomsbury Academic, , p. 83, Quote: "Temples are the permanent residence of a deity and daily worship is performed by the priest, but the majority of Hindus visit temples only on special occasions. Worship in temples is wholly optional for them". Worship practices in Hinduism are as diverse as its traditions, and a Hindu can choose to be polytheistic, pantheistic, monotheistic, monistic, agnostic, atheistic, or humanist.

Devotees engage with deities in more personalized relationships. differentiates between three types of devotees: power-seekers, liberation-seekers, and those seeking love and communion with the deity. While all three are considered dharmic, they are not equally significant in terms of liberation. Power-seekers pursue goals for overall benefit, while liberation-seekers seek unity with the divine. The highest form of devotion is characterized by selfless love for the divine.

(2025). 9781138291133, Routledge, Taylor & Francis Group.


Examples
Major deities have inspired a vast genre of literature such as the and Agama texts as well their own Hindu traditions, but with shared , ritual grammar, theosophy, and polycentrism. Vishnu and his avatars are at the foundation of , Shiva for , Devi for , and some Hindu traditions such as Smarta traditions who revere multiple major deities (five) as henotheistic manifestations of (absolute metaphysical Reality).David Lawrence (2012), The Routledge Companion to Theism (Editors: Charles Taliaferro, Victoria S. Harrison and Stewart Goetz), Routledge, , pp. 78-79Guy Beck (2005), Alternative Krishnas: Regional and Vernacular Variations on a Hindu Deity, SUNY Press, , pp. 1-2
(2025). 9781934145272, Himalayan Academy. .

While there are diverse deities in Hinduism, states Lawrence, "Exclusivism – which maintains that only one's own deity is real" is rare in Hinduism. Julius Lipner, and other scholars, state that pluralism and "polycentrism" – where other deities are recognized and revered by members of different "denominations", has been the Hindu ethos and way of life.Andrew J Nicholson (2013), Unifying Hinduism: Philosophy and Identity in Indian Intellectual History, Columbia University Press, , pp. 167-168


Trimurti and Tridevi
The concept of Triad (or Trimurti, Trinity) makes a relatively late appearance in Hindu literature, or in the second half of 1st millennium BCE.Jan Gonda (1969), The Hindu Trinity, Anthropos, 63/64, 1/2, pp. 212-226 The idea of triad, playing three roles in the cosmic affairs, is typically associated with Brahma, Vishnu and Shiva (also called Mahesh); however, this is not the only triad in Hindu literature.GM Bailey (1979), Trifunctional Elements in the Mythology of the Hindu Trimūrti, Numen, Vol. 26, Fasc. 2, pp. 152-163 Other triads include Tridevi, of three goddesses – Lakshmi, Saraswati and Parvati in the text , in the Shakta tradition, which further assert that Devi is the (Ultimate Reality) and it is her energy that empowers Brahma, Vishnu and Shiva. The other triads, formulated as deities in ancient Indian literature, include Sun (creator), Air (sustainer) and Fire (destroyer); Prana (creator), Food (sustainer) and Time (destroyer). These triads, states , are in some mythologies grouped together without forming a Trinity, and in other times represented as equal, a unity and manifestations of one Brahman. In the Puranas, for example, this idea of threefold "hypostatization" is expressed as follows,

The triad appears in Maitrayaniya Upanishad, for the first time in recognized roles known ever since, where they are deployed to present the concept of three Guṇa – the innate nature, tendencies and inner forces found within every being and everything, whose balance transform and keeps changing the individual and the world.James G. Lochtefeld, Guna, in The Illustrated Encyclopedia of Hinduism: A-M, Vol. 1, Rosen Publishing, , p. 265 It is in the medieval Puranic texts, Trimurti concepts appears in various context, from rituals to spiritual concepts. The Bhagavad Gita, in verses 9.18, 10.21-23 and 11.15, asserts that the triad or trinity is manifestation of one Brahman, which Krishna affirms himself to be.Rudolf V D'Souza (1996), The Bhagavadgītā and St. John of the Cross, Gregorian University, , pp. 340-342 However, suggests Bailey, the mythology of triad is "not the influence nor the most important one" in Hindu traditions, rather the ideologies and spiritual concepts develop on their own foundations. The triad, with Brahma creating, Vishnu preserving and Shiva destroying, balances the functioning of the whole universe.


Avatars of Hindu deities
Hindu mythology has nurtured the concept of the avatar ( avatāra), which represents the descent of a deity on earth.James Lochtefeld (2002), The Illustrated Encyclopedia of Hinduism: A-M, The Rosen Publishing Group, , pp. 72-73 This concept is commonly translated as "", and is an "appearance" or "manifestation".
(2025). 9780700712816, 9780700712816.
Christopher Hugh Partridge, Introduction to World Religions, pg. 148

The concept of the avatar is most developed in tradition, and associated with , particularly with and .

(2025). 9780028657356, Thomson Gale.
(2025). 9780195148916, Oxford University Press. .
Vishnu takes numerous avatars in Hindu mythology. He becomes female, during the , in the form of , to resolve a conflict between the devas and the asuras. His male avatars include , , , , , , , , Buddha, and . In some lists, replaces the Buddha.
(2014). 9781622753901, The Rosen Publishing Group, Inc. .
Various texts, particularly the , discuss the idea of an avatar of Vishnu appearing to restore the cosmic balance whenever the power of evil becomes excessive and causes persistent oppression in the world.

In traditions, the concept appears in its legends as the various manifestations of , the divine-mother principle in Hinduism.

(2025). 9780520249141, University of California Press. .
The avatars of Devi or Parvati include and , who are particularly revered in the eastern states of , as well as Tantra traditions.David Kinsley (1988), Hindu Goddesses: Vision of the Divine Feminine in the Hindu Religious Traditions, University of California Press, , pp. 45-48, 96-97Sally Kempton (2013), Awakening Shakti: The Transformative Power of the Goddesses of Yoga, , pp. 165-167Eva Rudy Jansen, The Book of Hindu Imagery: Gods, Manifestations and Their Meaning, Holland: Binkey Kok, , pp. 133-134, 41 Twenty-one avatars of Shiva are also described in texts, but unlike Vaishnava traditions, Shaiva traditions focus directly on Shiva rather than the avatar concept.


Major regional and pan-Indian Hindu deities
! Name ! Other Names ! Avatārs or Associated Deities ! Geography
! class="unsortable" Image
! class="unsortable"
Early illustrative art
[[Vishnu]][[Venkateshwara>Venkateswara]], [[Jagannath]]a, [[Dattatreya]], [[Hari]], Other names of [[Rama]] and [[Krishna]] , , , , , , , , , , Perumal, , , Buddha, India, Nepal, Sri Lanka, Indonesia
100px]]100px]]
2nd century BCE
[[Shiva]]Kalantaka]], [[Rudra]], [[Nataraja]], [[Sadashiva]], [[Dattatreya]] ,
[[Batara Guru]] (Indonesia)Hariani Santiko (1997),
[https://www.jstor.org/stable/1178725 The Goddess Durgā in the East-Javanese Period], Asian Folklore Studies, Vol. 56, No. 2, pp. 209-226R. Ghose (1966), Saivism in Indonesia during the Hindu-Javanese period, The University of Hong Kong Press, pages 15-17
[[Achalanatha
Acalanatha]] (Japan)Jiro Takei and Marc P Keane (2001), SAKUTEIKI, Tuttle, , p. 101Miyeko Murase (1975), Japanese Art: Selections from the Mary and Jackson Burke Collection, The Metropolitan Museum of Art (New York), , p. 31 India, Nepal, Sri Lanka, China
100px]]100px]]
1st century BCEM Chakravarti (1995), The concept of Rudra-Śiva through the ages, Motilal Banarsidass, , pp. 148-149
Brahma]]Adi Prajāpati, Virinci, Vaidyanatha, Vacpati, Varishtadeva, Kamalaja, Srashta, Karta, Dhata (Japan),Robert Paine and Alexander Soper (1992), The Art and Architecture of Japan, Yale University Press, , p. 60
(Thailand)
India, Nepal, Sri Lanka, Southeast Asia
100px]]70px]]
6th century CE
[[Ganesha]]Ashtavinayaka]], Lambodara, Gajānana (Japan)India, Nepal, Sri Lanka
100px]]80px]]
7th century CE
Kartikeya]]Skanda, Murugan, Mangala, Kumara, Subrahmanya, Shanmukha India, Sri Lanka, Malaysia, Nepal
100px]]100px]]
2nd century BCE
Parvati]][[Durga]], [[Kāli>Kali]], Annapurna Umahi (烏摩妃, Japan)Joe Cribb (1999), Magic Coins of Java, Bali and the Malay Peninsula, British Museum Press, , p. 77India, Nepal, Sri Lanka
80px]]100px]]
5th century CE
[[Lakshmi]]Sridevi, Bhargavi, Kamalāsanā, Padmavati, Chanchala , , ,
Kisshōten (Japan)
(Indonesia)
(Thailand)Jonathan Lee, Fumitaka Matsuoka et al. (2015), Asian American Religious Cultures, ABC, , p. 892
India, Nepal, Sri Lanka
100px]]100px]]
1st century BCE
[[Saraswati]]Vāgishvari, Vīnāpāni, Sharada (Japan),
Biàncáitiān (China),
Thurathadi (),
Suratsawadi (Thailand)Kinsley, David (1988), Hindu Goddesses: Vision of the Divine Feminine in the Hindu Religious Traditions, University of California Press, , pp. 94-97
India, Nepal, Java, Bali, Sri Lanka
100px]]100px]]
10th century CE
Durga]]Kali]], Mahishāsuramardini
Betari Durga ()Francine Brinkgreve (1997), Offerings to Durga and Pretiwi in Bali, Asian Folklore Studies Vol. 56, No. 2, pp. 227-251India, Nepal, Sri Lanka, Bangladesh
100px]]100px]]
8th century CE
Kali]][[Durga]], [[Parvati]] India, Nepal, Sri Lanka, Bangladesh100px]]70px]]
12th century CE
[[Mariamman]][[Durga]], [[Parvati]] India (mostly in South India),
Southeast Asia, Sri Lanka
100px]]70px]]
10th century CE
[[Harihara]] (Half Vishnu - Half Shiva)Shankaranarayana India, Sri Lanka, Nepal80px]]100px]]
6th century CE
Ardhanarishvara]] (Half Shiva - Half Parvati) India, Nepal, Sri Lanka100px]]80px]]
1st century CE
[[Hanuman]]Ramdhooth, Anjaneya, Maruti, Bajarangabali, Sankatamochana, Pavanasuta India, Nepal, Sri Lanka100px]]80px]]
11th century CE


See also


Notes

Citations

Sources
  • Daniélou, Alain (1991) 1964. The Myths and Gods of India. Inner Traditions, Vermont, US. .
  • Fuller, C. J. (2004). The Camphor Flame: Popular Hinduism and Society in India. Princeton University Press, New Jersey. .
  • Harman, William, "Hindu Devotion". In: Contemporary Hinduism: Ritual, Culture, and Practice, Robin Rinehard, ed. (2004) .
  • Kashyap, R. L. Essentials of Krishna and Shukla Yajurveda; SAKSI, Bangalore, Karnataka .
  • Pattanaik, Devdutt (2009). 7 Secrets from Hindu Calendar Art. Westland, India. .
  • Swami Bhaskarananda, (1994). Essentials of Hinduism. (Viveka Press) .
  • Vastu-Silpa Kosha, Encyclopedia of Hindu Temple architecture and Vastu. S. K. Ramachandara Rao, Delhi, Devine Books, (Lala Murari Lal Chharia Oriental series) (Set)
  • Werner, Karel. A Popular Dictionary of Hinduism. Curzon Press, 1994. .


Further reading


External links

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